Date: 3rd March 2025 Stars: 2 Revenge. Bloodlust. Family trauma. And, apparently, the urgent need to assault the audience with as much noise, nonsense, and meaningless theatrics as humanly possible. Welcome to Elektra at the Duke of York’s Theatre - a production so aggressively self-indulgent that I started wondering if it was some elaborate social experiment to see how long people could endure it before walking out. Brie Larson, Oscar-winner, Marvel superhero, and now, victim of a director with too much creative control, commits fully to the role. She stomps, she wails into microphones, she twists herself into contorted poses like she’s trying to summon a demon. She sings the word ‘no’ every time it comes up. It’s raw, it’s relentless, and it’s utterly exhausting to watch. You can practically see the emotional turmoil radiating off her, but after a while, it just starts feeling like screaming for the sake of screaming. And then there’s the production itsel...
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